The son of a second master of Westminster School, Robert Lloyd was educated by his father and at Trinity College Cambridge (B.A. 1755, M.A. 1758). At Westminster he knew George Colman the elder, Charles Churchill, Richard Cumberland, and William Cowper; he later returned briefly as an usher. Lloyd reviewed poetry for the Monthly Review and edited the ambitious St. James Magazine (1762-64) which proved an expensive failure. He was friends with Garrick and Wilkes and knew Thomas Warton. He was arrested for debt and died in the Fleet Prison in 1764.
TEXT RECORDS:
1751The Progress of Envy. A Poem.
1751The Progress of Envy: Preface.
1755Connoisseur No. 67 [On Imitation.]
1756Connoisseur No. 125 [Letter from a Gentleman of Cambridge.]
1760Two Odes. To Oblivion.
1761Prologue, intended to have been spoken at Drury-Lane Theatre, on His Majesty's Birthday, 1761.
1762The Poetry Professors.
1763A Dialogue between the Author and his Friend.
1763An Ode. Secundam Artem.
1763 ca.On Rhyme. A Familiar Epistle to a Friend.
1763Review of Charles Churchill's Prophecy of Famine.
1764The Temple of Favour.
PUBLICATIONS:
The actor: a poetical epistle. 1760.
Shakespeare: an epistle to Garrick, with an ode to genius. 1760.
The tears and triumphs of Parnassus. 1760.
Two odes [with Colman]. 1760.
Arcadia, or the shepherd's wedding: a dramatic pastoral. 1761.
An epistle to Churchill. 1761.
Poems. 1762.
The St. James magazine [ed. Lloyd]. 1762.
The death of Adam: a tragedy from Klopstock. 1763.
The New-river head: a tale in the manner of C. Denis. 1763.
The capricious lovers: a comic opera. 1764.
Moral tales [Marmontel, trans.] 3 vols, 1764.
Poems, ed. Kenrick. 2 vols, 1774.
Familiar poems. 1804.
PROFILE AND
ASSOCIATES:
English
Anglican
Westminster School
Trinity College Cambridge
Bachelor of Arts
Master of Arts
schoolmaster
poet
essayist
The Library
The Monthly Review
The Connoisseur
St. James's Magazine
Public Advertiser
Rev. Charles Churchill
George Colman
William Cowper
Richard Cumberland
Rev. John Delap
Charles Emily
David Garrick
Edward Moore
Rev. John Seally
Rev. Richard Shepherd
Bonnell Thornton
Rev. Thomas Warton
John Wilkes
William Woty
REFERENCE:
DNB; NCBEL.
William Rider, Living Authors of Great Britain (1762); obituary in Gentleman's Magazine 34 (December 1764) 603; David Erskine Baker, Companion to the Play-House (1764); Annual Register for 1765 (1765) 111; Pearch, Supplement to Dodsley's Collection (1768-83); "Memoirs of Robert Lloyd and Charles Churchill written by a sincere Friend" Westminster Magazine 1 (March 1773) 181-85 [portrait]; Life by William Kenrick in Poems (1774); "Genuine Anecdotes of the Life and Writings of Rober Lloyd" Universal Magazine 55 (September 1774) 116-18; John Nichols, Select Collection of Poems (1780-82); Biographia Dramatica (1782; 1812); Bell's Fugitive Poetry (1789-97) 3:173-74; Roach's Beauties of the Poets (1794); Robert Anderson, British Poets (1795); Robert Southey, Specimens of Later English Poets (1807); Samuel Jackson Pratt, Cabinet of Poetry (1808); Alexander Chalmers, English Poets (1810); Alexander Chalmers, General Biographical Dictionary (1812-17); John Nichols, Literary Anecdotes (1812-15) 2:330-32n; Thomas Campbell, Specimens of the British Poets (1819); Robert Watt, Bibliotheca Britannica (1824); The Georgian Era: Memoirs of the most Eminent Persons (1832-34); Robert Southey, in Life and Works of Cowper (1835-37); Robert Chambers, Cyclopaedia of English Literature (1844); Allibone, Critical Dictionary of English Literature (1858-71; 1882); Austin Dobson, "Robert Lloyd" in At Prior Park and Other Papers (1912) 210-42; Venn and Venn, Alum. Cant. (1922-27); Old Westminsters (1928); Irving McKee, The Literary Career of Robert Lloyd (Dissertation, Yale University, 1935); Robert Halsband, "The Poet of the North-Briton" Philological Quarterly 17 (1938) 389-95; Fairchild, in Religious Trends in English Poetry (1942); Charles Ryskamp, William Cowper of the Inner Temple (1959); Butt, OHEL (1979); Chadwyck-Healey English Poetry Database (1995).
COMMENTARY RECORDS
for Robert Lloyd:
BIOGRAPHY RECORDS
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AUTHOR AS CRITIC:
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