The poets of historical or fabulous narrative belong to another class. Of these the earliest is Daniel, whose minor poems fall partly within the sixteenth century. His history of the Civil Wars between York and Lancaster, a poem in eight books, was published in 1604. Faithfully adhering to truth, which he does not suffer so much as an ornamental episode to interrupt, and equally studious to avoid the bolder figures of poetry, it is not surprising that Daniel should be little read. It is, indeed, certain that much Italian and Spanish poetry, even by those whose name has once stood rather high, depends chiefly upon merits which he abundantly possesses, — a smoothness of rhythm, and a lucid narration in simple language. But that which from the natural delight in sweet sound is enough to content the ear in the Southern tongues, will always seem bald and tame in our less harmonious verse. It is the chief praise of Daniel, and must have contributed to what popularity he enjoyed in his own age, that his English is eminently pure, free from affectation of archaism and from pedantic innovation, with very little that is now obsolete. Both in prose and in poetry, he is, as to language, among the best writers of his time, and wanted but a greater confidence in his own power, or, to speak less indulgently, a greater share of it, to sustain his correct taste, calm sense, and moral feeling.