John Keats's early fragment takes the name "Calidore" from the Faerie Queene, though its manner is that of Hunt and Italian poetry narrative rather than Spenser's. Young Calidore paddles his shallop across a Capability Brown landscape to greet Clerimond, Sir Gondibert, and their ladies; how the tale might have developed does not appear, though it seems implied that the delicate Calidore would perform some chivalrous action. The poem is manifestly influenced by Leigh Hunt's Tale of Rimini (1816).
Eclectic Review: "After a 'specimen of an induction to a poem,' entitled Calidore, which, in the same indistinct and dreamy style, describes the romantic adventure of a Sir Somebody, who is introduced 'paddling o'er a lake,' edged with easy slopes and 'swelling leafiness,' and who comes to a castle gloomy and grand, with halls and corridor, where he finds 'sweet-lipped ladies,' and so forth; and all this is told with an air of mystery that holds out continually to the reader the promise of something interesting just about to be told, when, on turning the leaf, the Will o' the Wisp vanishes, and leaves him in darkness. However ingenious such a trick of skill may be, when the writer is too indolent, or feels incompetent to pursue his story, the production cannot claim to be read a second time; and it may therefore be questioned, without captiousness, whether it was worth printing for the sake of a few good lines which ambitiously aspired to overleap the portfolio" NS 8 (September 1817) 272.
George Felton Mathews: "In the fragment of a Tale of Romance, young Calidore is amusing himself in a little boat in the park, till, hearing the trumpet of the warder, which announces the arrival of his friends at the castle, he hastens home to meet them: in after times we presume he is to become the hero of some marvellous achievements, devoting himself, like Quixotte, to the service of the ladies, redressing wrongs, dispelling the machinations of evil genii, encountering dragons, traversing regions aerial, terrestrial, and infernal, setting a price upon the heads of all giants, and forwarding them, trunkless, like 'a cargo of famed cestrian cheese,' as a dutiful tribute to the unrivalled beauty of his fair Dulcinea del Toboso. This fragment is as pretty and as innocent as childishness can make it, save that it savours too much, — as indeed do almost all these poems, — of the foppery and affectation of Leigh Hunt!" European Magazine 71 (May 1817) 435-36.
M. M. Bhattacherje: "'Specimen of an Induction to a Poem' and the fragment 'Calidore' reveal Keats's love of the Spenserian romance. But neither is really a lengthy romance in the manner of Spenser. Possibly Keats suffered from Hunt's influence which was in favour of short tales" Keats and Spenser (1944) 83.
Miriam Allott: The "style and diction suffer from the debilitating effects of Keats's current enthusiasm for his new friend and patron Leigh Hunt. The Spenserian 'luxuries' are refracted through the loose heroic couplets and sentimental eroticism derived from Hunt's popular The Story of Rimini but without its narrative verve" Spenser Encyclopedia (1990) 416.
Greg Kucich: "He introduces the poem as a reworking of Spenser with the conventional eighteenth-century ploy of presenting it as a continuation of an unfinished Faerie Queene narrative, in this case the legend of Calidore. But in actually shaping out his narrative, he follows the more progressive revisionary strategies of recent Spenserianism.... Keats turns the bower motif of Calidore's legend into a drama of creative consciousness. Following Byron, and Beattie as well, he arranges that drama as a pilgrimage of his own creative growth beyond the bowers of luxurious fantasy that had captivated his youthful imagination" Keats, Shelley, and Romantic Spenserianism (1991) 158.
Young Calidore is paddling o'er the lake;
His healthful spirit eager and awake
To feel the beauty of a silent eve,
Which seem'd full loath this happy world to leave;
The light dwelt o'er the scene so lingeringly.
He bares his forehead to the cool blue sky,
And smiles at the far clearness all around,
Until his heart is well nigh over wound,
And turns for calmness to the pleasant green
Of easy slopes, and shadowy trees that lean
So elegantly o'er the waters' brim
And show their blossoms trim.
Scarce can his clear and nimble eye-sight follow
The freaks, and dartings of the black-wing'd swallow,
Delighting much, to see it half at rest,
Dip so refreshingly its wings, and breast
'Gainst the smooth surface, and to mark anon,
The widening circles into nothing gone.
And now the sharp keel of his little boat
Comes up with ripple, and with easy float,
And glides into a bed of water lillies:
Broad leav'd are they and their white canopies
Are upward turn'd to catch the heavens' dew.
Near to a little island's point they grew;
Whence Calidore might have the goodliest view
Of this sweet spot of earth. The bowery shore
Went off in gentle windings to the hoar
And light blue mountains: but no breathing man
With a warm heart, and eye prepared to scan
Nature's clear beauty, could pass lightly by
Objects that look'd out so invitingly
On either side. These, gentle Calidore
Greeted, as he had known them long before.
The sidelong view of swelling leafiness,
Which the glad setting sun, in gold doth dress;
Whence ever, and anon the jay outsprings,
And scales upon the beauty of its wings.
The lonely turret, shatter'd, and outworn,
Stands venerably proud; too proud to mourn
Its long lost grandeur: fir trees grow around,
Aye dropping their hard fruit upon the ground.
The little chapel with the cross above
Upholding wreaths of ivy; the white dove,
That on the windows spreads his feathers light,
And seems from purple clouds to wing its flight.
Green tufted islands casting their soft shades
Across the lake; sequester'd leafy glades,
That through the dimness of their twilight show
Large dock leaves, spiral foxgloves, or the glow
Of the wild cat's eyes, or the silvery stems
Of delicate birch trees, or long grass which hems
A little brook. The youth had long been viewing
These pleasant things, and heaven was bedewing
The mountain flowers, when his glad senses caught
A trumpet's silver voice. Ah! it was fraught
With many joys for him: the warder's ken
Had found white coursers prancing in the glen:
Friends very dear to him he soon will see;
So pushes off his boat most eagerly,
And soon upon the lake he skims along,
Deaf to the nightingale's first under-song;
Nor minds he the white swans that dream so sweetly:
His spirit flies before him so completely.
And now he turns a jutting point of land,
Whence may be seen the castle gloomy, and grand:
Nor will a bee buzz round two swelling peaches,
Before the point of his light shallop reaches
Those marble steps that through the water dip:
Now over them he goes with hasty trip,
And scarcely stays to ope the folding doors:
Anon he leaps along the oaken floors
Of halls and corridors.
Delicious sounds! those little bright-eyed things
That float about the air on azure wings,
Had been less heartfelt by him than the clang
Of clattering hoofs; into the court he sprang,
Just as two noble steeds, and palfreys twain,
Were slanting out their necks with loosened rein;
While from beneath the threat'ning portcullis
They brought their happy burthens. What a kiss,
What gentle squeeze he gave each lady's hand!
How tremblingly their delicate ancles spann'd!
Into how sweet a trance his soul was gone,
While whisperings of affection
Made him delay to let their tender feet
Come to the earth; with an incline so sweet
From their low palfreys o'er his neck they bent:
And whether there were tears of languishment,
Or that the evening dew had pearl'd their tresses,
He feels a moisture on his cheek, and blesses
With lips that tremble, and with glistening eye
All the soft luxury
That nestled in his arms. A dimpled hand,
Fair as some wonder out of fairy land,
Hung from his shoulder like the drooping flowers
Of whitest Cassia, fresh from summer showers:
And this he fondled with his happy cheek
As if for joy he would no further seek;
When the kind voice of good Sir Clerimond
Came to his ear, like something from beyond
His present being: so he gently drew
His warm arms, thrilling now with pulses new,
From their sweet thrall, and forward gently bending,
Thank'd heaven that his joy was never ending;
While 'gainst his forehead he devoutly press'd
A hand heaven made to succour the distress'd;
A hand that from the world's bleak promontory
Had lifted Calidore for deeds of glory.
Amid the pages, and the torches' glare,
There stood a knight, patting the flowing hair
Of his proud horse's mane: he was withal
A man of elegance, and stature tall:
So that the waving of his plumes would be
High as the berries of a wild ash tree,
Or as the winged cap of Mercury.
His armour was so dexterously wrought
In shape, that sure no living man had thought
It hard, and heavy steel: but that indeed
It was some glorious form, some splendid weed,
In which a spirit new come from the skies
Might live, and show itself to human eyes.
'Tis the far-fam'd, the brave Sir Gondibert,
Said the good man to Calidore alert;
While the young warrior with a step of grace
Came up, — a courtly smile upon his face,
And mailed hand held out, ready to greet
The large-eyed wonder, and ambitious heat
Of the aspiring boy; who as he led
Those smiling ladies, often turned his head
To admire the visor arched so gracefully
Over a knightly brow; while they went by
The lamps that from the high-roof'd hall were pendent,
And gave the steel a shining quite transcendent.
Soon in a pleasant chamber they are seated;
The sweet-lipp'd ladies have already greeted
All the green leaves that round the window clamber,
To show their purple stars, and bells of amber.
Sir Gondibert has doff'd his shining steel,
Gladdening in the free, and airy feel
Of a light mantle; and while Clerimond
Is looking round about him with a fond,
And placid eye, young Calidore is burning
To hear of knightly deeds, and gallant spurning
Of all unworthiness; and how the strong of arm
Kept off dismay, and terror, and alarm
From lovely woman: while brimful of this,
He gave each damsel's hand so warm a kiss,
And had such manly ardour in his eye,
That each at other look'd half staringly;
And then their features started into smiles
Sweet as blue heavens o'er enchanted isles.
Softly the breezes from the forest came,
Softly they blew aside the taper's flame;
Clear was the song from Philomel's far bower;
Grateful the incense from the lime-tree flower;
Mysterious, wild, the far heard trumpet's tone;
Lovely the moon in ether, all alone:
Sweet too the converse of these happy mortals,
As that of busy spirits when the portals
Are closing in the west; or that soft humming
We hear around when Hesperus is coming.
Sweet be their sleep.——*——*——*——